July 9th: AUDITIONS!
This one is FUN.
THERE’S SOMEONE INSIDE YOUR HOUSE
The story: people are dying! Classic thriller! Who is the bad guy?? Makani is our lead, and THAT IS ALL I KNOW!
Ladies: Makani. She moved from Hawaii for your senior year of high school to escape… something.
Gentlemen: Ollie. The all black wearing loner who has an affair with Makani before school starts. He’s bothered by the fact that she doesn’t want to go public with him. His older brother is the sheriff, and raised him since his parents died when he was a kid.
This is an exercise in text analysis.
There’s Someone Inside Your House
July 16th: SCENE STUDY!
Yes. Oh yes.
We will do scene 96 (and scene 35 IF we have time).
We will tape. It will be glorious. PLEASE BE READY!!!
July 23rd: ON CAMERA!
ANYTIME: ONE ON ONES! Please email me at email@example.com or text me at 323-363-6051 to schedule your 30 minute session, which can be in person, on Skype/Facetime, or over the phone. Remember, these can also be used anytime in the month!
Those Details Again …
Your classes for this month will be Tuesdays, June 11th, 18th, and 25th!
Your One-on-One can be in the fourth week, or anytime you choose! More about the One-on-One in class.
At 7:30 pm we will have an optional “Catch Up”, and then get into class work by 8:00 PM! Let’s get WORKING!!!
Notes on REHEARSAL
Rehearsals are the most magical part of what we do. It’s where we get to decide in safety and confidence what WE can bring to a part with the help and support of a team of trusted advisors on a similar journey.
OUR JOB as classmates and as actors is to be supportive of an individual’s process by helping them try as many things as possible to help an individual find their best.
OUR JOB IS NOT to be right, to put each other down, to disparage someone’s choice, or make someone feel less than confident about their work.
THINGS TO TRY:
1. Run it Through.
• Don’t feel like you need to jump straight to a final performance! Run the scene sitting, run the scene on it’s feet. Feel it out! Compliment what works first from that place of gut instinct.
2. Talk it Out.
• Dissect the Scene, talk about the individual beats, what the character’s purpose is, what they want. Think about it from everyone’s point of view, the writer, director, editor, the audience. REMEMBER THERE’S MORE THAN ONE WAY TO PLAY A SCENE, but the beats don’t lie.
3. Beat it Out.
• Get up on your feet and work through beat by beat. What works? Compliment it! What doesn’t? Get rid of it, figure it out! Does it flow? Where does it stop, where are we taken out of the story?
4. Refine It.
• Make sure you can get all the way through it. If anything stops you, go back to the beat and hash it out.
Queen of the South EDDIE BROOKS
CO Man With A Plan SECURITY_GUARD
CO Superstore Highlighter_Customer
Sports_Night 2.07-Kyle Whitaker’s Got Two Sacks
Last Virginia Christmas BRANDON
Last Virginia Christmas FULL SCRIPT
close encounters of the third kind
Eternal Sunshine of the Spotless Mind-script
A MILLION LITTLE THINGS – ABC DJ Nash
A Million Little Things – MAGGIE
AMERICAN VANDAL Officer_Dickey
Gentlemen: Seal Team LUCAS
Ladies: Splitting up Together LISA_APPLE
FOR NOVEMBER 14th: ON CAMERA!
Gentlemen: THUNDERMANS Professor_Meteor
Ladies: THUNDERMANS Liaison
For all previous assignments, visit the Library!